The International Society for the Study of Surrealism is delighted to invite you to the virtual book launch of Concepts of the World: The French Avant-Garde and the Idea of the International, 1910-1940. Author, Effie Rentzou, will be in conversation with Kate Conley.
How did the avant-garde imagine its interconnected world? And how does this legacy affect our understanding of the global today?
The writers and artists of the French avant-garde aspired to reach a global audience that would be wholly transformed by their work. In this study, Effie Rentzou delves deep into their depictions of the interwar world as an international and modern landscape, one marked by a varied cosmopolitanism. The avant-garde’s conceptualization of the world paralleled, rejected, or expanded prevailing notions of the global sphere.
The historical avant garde—which encompassed movements like futurism, Dada, and surrealism—was self-consciously international, operating across global networks and developed with the whole world as its horizon and its public. In the heady period between the end of the Belle Époque and the tumult of World War II, both individual artists (including Guillaume Apollinaire, Blaise Cendrars, Francis Picabia, Louis Aragon, Leonora Carrington, and Nicolas Calas) and collective endeavors (such as surrealist magazines and exhibitions) grappled with contemporary anxieties about economic growth, imperialism, and colonialism, as well as various universalist, cosmopolitan, and internationalist visions. By probing these works, Concepts of the World offers an alternative narrative of globalization, one that integrates the avant-garde’s enthusiasm for, as well as resistance to, the process. Rentzou identifies within the avant-garde a powerful political language that expressed the ambivalence of living and creating in an increasingly globalized world—a language that profoundly shaped the way the world has been conceptualized and is experienced today.
Effie Rentzou is Professor of French Literature at Princeton University. Her research and teaching focus on modernism and the avant-garde, especially in their international and political dimensions, on poetics and the interaction of text and image. Her publications include Littérature malgré elle: Le surréalisme et la transformation du littéraire (2010), Concepts of the World: The French Avant-Garde and the Idea of the International, 1910-1940, (2022), the edited volume 1913: The Year of French Modernism (2020), and many articles and book chapters on surrealism, the avant-garde, and poetry. She is currently the president of ISSS (International Society for the Study of Surrealism).
Kate Conley is a professor of French & Francophone Studies and Chancellor Professor of Modern Languages & Literatures at William & Mary. She publishes on the surrealist movement. Her most recent book is Surrealist Ghostliness (Nebraska, 2013). Her current book project is entitled “Mapping the Surrealist Collection.”
To purchase the book, visit here.
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We look forward to seeing you on Friday September 30, 11.30am (EST). Please check your own timezone.